Trinh, Minh-ha. “Documentary Is/Not a Name,” re artifice
A documentary aware of its own artifice is one that remains sensitive to the flow between fact and fiction….It recognizes […]
Integrating Theory, Practice & Politics
Integrating Theory, Practice & Politics
A documentary aware of its own artifice is one that remains sensitive to the flow between fact and fiction….It recognizes […]
Thus, a subject who points to him or herself as subject-in-process, a work that displays its own formal properties or […]
The socially oriented filmmaker is thus the almighty voice-giver (here, in a vocalizing context that is all-male), whose position of […]
CHECK OVER HERE! I HAVE NEW INFORMATION! This is from a Myspace bulletin. I’m embarrassed of my subscribers… it seems […]
Corto de Agnès Varda en torno a la cuestión “¿Qué es ser mujer?” Cine-tract de Agnès Varda sur la question […]
“The machine makes us ashamed of man’s inability to control himself, but what are we to do if electricity’s unerring […]
“We maintian that despite the comparativly long existence of cinematography as a concept, despite the large number of dramas- psychological, […]
“Until now, we have violated the movie camera and forced it to copy the work of our eye. And the […]