Alex

“Godard’s cinema, broadly speaking, is within the modern tradition established by Brecht and Artaud, in their different ways, suspicious of […]

“The text becomes a composite structure […] using different codes and semantic systems. Moreover, these are not simply different, but […]

Art is a gun … There are different sorts of guns. There is a real gun and another sort of […]

I thought the cine-tracts were a really good idea. They started out with things about the police, about the repression, […]

Gay Knowledge also implicitly distinguishes itself from Marx on a second point. It seeks not merely to rethink man, but […]

Patricia proposes a radically new reading of the categories of truth and falsehood. She asks, “what is a false image?” […]

The zero point now has a radically new meaning: it signifies not a site of epistemological stability, a place where […]

Emile suggests that what Gay Knowledge has finally made possible is not an objective knowledge of “the workers,” or “the […]

Because every film is part of the economic system it is also a part of the ideological system, for “cinema” […]